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Dizzy Gillespie - The Cool World OST + Dizzy Goes Hollywood (1996)

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Music : Jazz : Lossless
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1. The Cool World (Original
Soundtrack) (1964)

Quote:Finally available again after a 30-plus year absence from American shelves is the
soundtrack to Shirley Clarke's gritty but brilliant 1964 film, Cool World, about young people growing up in Harlem.

The score was written and arranged by pianist Mal Waldron but was performed and recorded by Dizzy Gillespie's
quintet of the time. This set is one of Diz's best records of the 1960s (which is saying something), and one of the
best jazz film scores period. Diz's band at the time included James Moody on tenor and flute, a young Kenny Barron
on piano, bassist Chris White, and Rudy Collins on drums. The 11 cues that range between two and five minutes are deeply
rooted in the language of hard bop and blues with some excellent, if brief, modal touches by Waldron. 
The opening
theme, the set's longest cut, sets out all the tropes the quintet will visit over and again; lean, tough,
expressive blues. Barron's piano sets out a fast, hard swinging groove that sets a pace for the cut time,
skittering snare, and frenetic bassline; they urge the two horn players to wail the head and they do. The three solos
are as intense and popping as anything on Blue Note at the time, and offer a portal into the rest of the set. 
The
blues articulation of every cue here is on purpose because, if anything, Cool World is a film drenched in them.
Waldron's sense of economy in picking both impressionistic and expressionist avenues for blues to speak through
jazz in an inspired quintet like this is remarkable -- the temptation would be to excess at every turn, especially given
Waldron's gift for sophisticated harmonies and spacy lyrical concerns. There is little that is subtle about this
music, but there is nothing overblown about it either. Check the happy-go-lucky flow of "Enter Priest," which
signals the arrival onscreen of Duke's (main character) mentor: though he is an underworld figure and a gang
leader, his outward appearance to Duke, and his first impression of him, is one of freedom and admiration. The
free-flowing cut-time rim shot from Collins and the breezy, open horn section underscores this; Duke's eyes are
wide and happy because he thinks he's found a way out of his predicament. 
On "Duke's
Awakening," Waldron deviates -- momentarily -- from the blues/hard bop lexicon. He uses a minor-key modal theme in
the intro before unfolding a slow blues. Waldron follows this with a stunning hard bebop cue called "Duke on the
Run," that echoes back to the '40s in its unrelenting action and pace -- though Moody's solo is a deeply
soulful one. There is also the wonderfully lilting "Coney Island," (where the main character escorts his
Bonnie, his love interest, to the seashore, it's her first time seeing the ocean despite having grown up in
Harlem). The open octave spill between saxophone and muted trumpeter are the character's voice, and the drums and
bassline become the sea and sand -- the only place the pair is free is on the shore. Moody solos on flute to outline
just how different this moment is than either character has known before. 
Ultimately, the soundtrack to Cool World
is an enormous success artistically, standing head and shoulders over virtually every other such effort of the period,
and a welcome addition to the Gillespie catalog, offering a very keen and muscular view of his 1964 band. Previously
available only as a very expensive import, this disc is a must for anyone interested in '60s Gillespie and in hard
bop jazz in general. (AMG)


01. Theme From The Cool World [5:17]
02. The Pushers [2:34]
03.
Enter, Priest [4:10]
04. Duke's Awakening [2:42]
05. Duke On The Run [5:15]
06. Street Music
[2:35]
07. Bonnie's Blues [4:00]
08. Coney Island [3:44]
09. Duke's Fantasy [2:16]
10.
Coolie [3:39]
11. Duke's Last Soliloquy [3:07]



2. Dizzy Goes Hollywood (1963)

Quote:On first glance this LP looks like a dud. Dizzy Gillespie and his quintet (with saxophonist James Moody
and pianist Kenny Barron) perform 11 themes from then-recent movies including "Caesar and Cleopatra,"
"Love Theme from Lolita," and "Never on Sunday." 
However, because the trumpeter was near the
peak of his powers and his band does play such songs as "Moon River," "Days of Wine and Roses," and
"Carioca" with spirit, the results are quite worthwhile, if not essential. (AMG)


12. Theme
From Exodus [2:44]
13. Moon River [2:52]
14. Caesar And Cleopatra Theme [3:10]
15. Days Of Wine And Roses
[2:19]
16. Walk On The Wild Side [7:12]
17. More [2:47]
18. Love Theme From Lolita [2:49]
19. Theme
From Picnic [2:27]
20. Never On Sunday [3:06]
21. Theme From Lawrence Of Arabia [3:10]
22. Carioca
[3:00]




Dizzy Gillespie (t) with James Moody (ts, as, fl); Kenny Barron (p); Chris
White (b); Rudy Collins (d).


Tracks 1-11: All music composed by Malcolm Earl "Mal" Waldron
Tracks 12-22: Billy Byers (arr).

The Cool World recorded April 1964 at Nola Recording Studio, New York
City
Dizzy Goes Hollywood recorded September 1963 at Universal Recording Studios, Chicago


Original
recordings produced by Hal Mooney



Label:Verve/Philips
Released: 1996
Catalogue: 531
230-2 







Codec: Flac
Compression Level: 6
Quality: High


CD-rip by alekow (EAC and Flac)
Covers Included (600dpi)







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